Consider, for example, the bizarre behavior of Reuters, the once globally respected news agency now reduced to putting out laughably inept terrorist propaganda. A few days ago, it made a big hoo-ha about the Israelis intentionally firing a missile at its press vehicle and wounding its cameraman Fadel Shana. Shana was posed in an artful sprawl in a blood-spattered shirt. But it had ridden up and underneath his undershirt was spotlessly white, like a summer-stock Julius Caesar revealing the boxers under his toga. What's stunning is not that almost all Western media organizations reporting from the Middle East are reliant on local staff overwhelmingly sympathetic to one side in the conflict -- that's been known for some time -- but the amateurish level of fakery that head office is willing to go along with.
Down at the other end of the news business, meanwhile, one finds items like this snippet from the Sydney Morning Herald:
"A 16-year-old girl was tailed by a car full of men before being dragged inside and assaulted in Sydney's west last night, police say . . .
"The three men involved in the attack were described to police as having dark 'mullet-style' haircuts."
Three men with "mullet-style" hair, huh? Not much to go on there. Bit of a head scratcher. But, as it turned out, the indefatigable Sydney Morning Herald typist had faithfully copied out every salient detail of the police report except one. Here's the statement the coppers themselves issued:
"Police are seeking three men described as being of Middle Eastern/Mediterranean appearance, with dark 'mullet-style' hair cuts."
That additional detail narrows it down a bit, wouldn't you say? The only reason I know that is because the Aussie Internet maestro Tim Blair grew curious about the epidemic of incidents committed by men of no known appearance and decided to look into it.
He began the column by writing about the two Fox journalists converting to Islam in exchange for their freedom, and picks up the thread again for the conclusion:
In the Muslim world, they watch the Centanni/Wiig video and see men so in love with the present, the now, that they will do or say anything to live in the moment. And they draw their own conclusions -- that these men are easier to force into the car than that 16-year-old girl in Sydney was. It doesn't matter how "understandable" Centanni and Wiig's actions are to us, what the target audience understands is quite different: that there is nothing we're willing to die for. And, to the Islamist mind, a society with nothing to die for is already dead.